Birthing a television show
The
holidays have passed, and just before the year’s end, I hit a major milestone:
I finished my latest novel, A
Touch of Magick. Three months. 82,000 words. And yes, there was a
happy dance across the kitchen floor—because this story poured out of me,
arriving fully formed in ways I couldn’t have anticipated when I sat down to
write that first word. Literally, I was going to write a totally different
story and then that spark of creativity launched and took hold.
Here’s
what I learned along the way: deadlines
work for me. There’s power in setting a goal and harnessing
that inner static energy of momentum. Deadlines turn my creative spark into a
fire, fueling me to step into the unknown and make it real. It’s about
controlling the narrative—the one within myself—and now, I’m shifting that
mantra to tackle something completely outside my comfort zone.
The
goal? Launching my own television program for kids.
Yes,
it’s a big leap, but creativity thrives in challenge. This new project, Drawing Magic, is an
ambitious one, with over a hundred action items to address and a funding
strategy to master. But I’m not afraid. I’m trusting the process. After all,
I’ve done this before. Back in 2018, I created a pilot concept for Drawing Magic to test its
potential as a TV show, and the response was incredible. While technical
hurdles like lighting kept it from being exactly what I envisioned, the core
idea has stayed with me—waiting for the right moment to resurface.
That
moment is now.
I
can already picture Drawing
Magic completed, distributed, and inspiring children everywhere.
This isn’t just about drawing—it’s about unlocking creativity, sharpening
focus, and fostering the kind of motor skill development that helps young minds
grow. This isn’t “busy work” or cookie-cutter copying; it’s an innovative
approach to connecting the brain, hand, and heart to create something truly
original.
My
dream? To see Drawing Magic
distributed through PBS
Kids and the Ryan
Seacrest Foundation, which brings entertainment and education
to children in hospitals across the U.S. The magic of creativity is
transformative—I’ve seen it firsthand during my years running the largest art
education school in Texas. The "ah-ha!" moments, when children
realize their potential, are nothing short of extraordinary. Now, I want to
bring those moments into homes, classrooms, and hospital rooms everywhere.
If
I can produce thirteen episodes, I can pitch to PBS Kids with the
professionalism and heart this project deserves. And if the distribution model
aligns, I’ll extend the program to hospital networks like those run by the
Seacrest Foundation. I’ve already seen the possibilities—like the incredible
media set up at Cook Children’s Hospital in Fort Worth. Many major hospitals
have internal programming that includes music and creative outlets, providing
children with vital joy and expression during their toughest times. I want Drawing Magic to be part
of that effort, a beacon of light and creativity for kids who need it most.
On
top of that, many independent television stations are required to include
educational programming as part of their mandate, making Drawing Magic a perfect
fit. The pieces are falling into place.
Meanwhile,
I’m putting the finishing touches on my new children’s coloring book, Monsters and Myths: A Cryptid
Coloring Journey. It’s nearly ready for release—a whimsical dive
into the world of legendary creatures that I know kids (and parents!) will
love. And somewhere in the chaos of projects, I need to track down those audio
files for my children’s fairytale, Journey
to Cinnamon Valley.
So,
what’s next? Stay tuned. Big things are coming down the pike. Watch as this
vision unfolds—because just like those 82,000 words, this story is ready to
pour out into the world.

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